A collective blog on the fusion between art-literature-poetry and music or how these different disciplines interacted and amused themselves and were muses for each other at the same time. This blog invites authors also to publish their own work on LAMUSAR or to give comments on books they like and why?! If you hesitate, let you inspire by these words received from the Fiji Isles: SMALL IS BEAUTIFUL, MANY SMALLS IS BIG! (Simonne Pauwels)
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PAINTINGS BY EMMY VERSCHOOR
VOOR EMMY
Voor Emmy
Zijn het pluimen of bladeren
die ontsnappen uit je binnenste hartkamer
of is het de gloed van de kleur van kloppend bloed
hunkerend naar de stilte van rimpelloos
Water?
Als haar handen vloeibaar worden
krijgt de piano vleugels op het doek
Een boom verbijt haar vergezicht
In de diepte luisteren wortels verrukt
naar de zachte braille van haar bestaan
Tuinen hangen van de wolken
omlaag, omhoog groeien vreemde bloemen
uit een ingebeelde notenbalk.
Guido Vermeulen
14 november 2011
Muziek bij de video: Claude Debussy
Zijn het pluimen of bladeren
die ontsnappen uit je binnenste hartkamer
of is het de gloed van de kleur van kloppend bloed
hunkerend naar de stilte van rimpelloos
Water?
Als haar handen vloeibaar worden
krijgt de piano vleugels op het doek
Een boom verbijt haar vergezicht
In de diepte luisteren wortels verrukt
naar de zachte braille van haar bestaan
Tuinen hangen van de wolken
omlaag, omhoog groeien vreemde bloemen
uit een ingebeelde notenbalk.
Guido Vermeulen
14 november 2011
Muziek bij de video: Claude Debussy
maandag 1 oktober 2012
SEMA # 47
The SEMA cahiers by Piet Franzen examine the relations between signs and language.
This is already issue 47 including 3 signs and 3 short poems in Dutch
Translation of the first:
Time started
ticking
against the
egg-shell
zondag 30 september 2012
THE NOSE
Small painted envelope, dedicated to Nicolai GOGOL, mailed to Theresa Williams, USA
http://en.wikipedia.org/wiki/Nikolai_Gogol
zaterdag 29 september 2012
vrijdag 28 september 2012
donderdag 27 september 2012
On fairy tales in clouds and Wordsworth
Mail art letter from Monique Jany, Belgium
in response to my poetry edition FAIRY TALES IN CLOUDS and the link with the Wordsworth poem
«I wandered lonely as a cloud»
The sad gardenia
Small painted envelope with collage fragment
Another tributie to Billie Holyday
Mailed to Robert Varlez
maandag 24 september 2012
ONE COULD IMAGINE
Dear Cheryl,
One could imagine
being caught
in an African time frame
of an ancient dance
between rock and fire
Also
One could imagine
a desert where there was no
desert
And Also
One could imagine
the desert as a beheaded hydrocephalus
waiting with geological patience
for the return of the floods.
Guido Vermeulen
24 September 2012
woensdag 19 september 2012
Une barque sur l’océan / A barge on the ocean
Large new painting, also based on a stunning piano piece by Maurice Ravel, part of Miroirs (Mirrors)
dinsdag 18 september 2012
Pavane pour une infante défunte
Large painted mail art envelope I made while listening to the piano piece by Maurice Ravel
Mailed to Dararat Chemnasiri, Belgium
maandag 17 september 2012
Mail art makes the world a town, issue 3
3d issue of the zine developed by Cheryl Penn in South Africa (also cover art)
In this edition contributions from
Katerina Nikoltsou (Greece)
Rosanna Veronesi, Domenico Severino (Italy)
Rebecca Guyver (UK)
Erich Sundermann (Austria)
Aprilia Zank, Patrizia Tictac, Svenja Wahl (Germany)
Bernd Reichert, Guido Vermeulen (Belgium)
PW Kaufmann (Switzerland)
Carina Granlund (Finland)
Torill Elisabeth Larsen (Norway)
Gail Whitter, Theo Nelson (Canada)
Alicia Starr, Claire Dinsmore, John Held Jr, De Villo Sloan, No thi NG, RCBz (USA)
Samuel Montalvetti, Marcela Peral (Argentina)
Harry Lock, Cheryl Penn (South Africa)
Ying-Chieh Liu (Taiwan)
20 Years of Field Study
From David Dellafiora, Australia
Field Study is a mail art zine to
document an art performance
or intervention you did during the year;
so a real field study of what is going on
in the eternal network
and this for the past 20 years!
To celebrate the occasion
David gives everybody a
rendez-vous at Tate Modern
in London on January 5, 2013
at noon
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